Russia alien invasion
Post-Soviet cinema has been similarly reluctant to have its earthbound heroes share screen time with aliens from outer space. For him, science fiction serves the same purpose as biblical myth in Vladimir Mayakovsky’s Mystery-Bouffe: it provides a set of familiar yet resonant tropes that help us think about catastrophe. Completely uninterested in the conventions of science fiction, Bykov produces a fantasy about alien visitation whose contrivances are only barely plausible. Readers of Bykov’s Living Souls (ЖД) will not be surprised to find that the author’s attitude towards group identity is playful and skeptical even in the beginning of the novel, the “alien” is so much like a human Muscovite that the differences are hardly worth nothing, while the ending suggests that it is easier to find the true Other back at home. When they arrive, the homeworld turns out to be just as chaotic and dangerous as Earth, so they turn around and go back to where they started.
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When Moscow is threatened by a series of terrorist attacks, he reveals that this role-playing game is actually real, and volunteers to evacuate his beloved (along with a few other random people they meet along the way) to his more advanced homeworld.
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Dmirty Bykov’s 2005 novel The Evacuator focuses on a man and a woman who seem to be engaging in a linguistic erotic fantasy, where the man claims to be an alien and teaches the woman how to speak his language (much of which sounds like baby-talk versions of actual Russian words). Aliens did come to Post-Soviet Russia, but only occasionally. Yet contemporary Russia never became a popular tourist destination among the interplanetary set. With the abolition of literary censorship and the rise of market-oriented publishing, fantasy and science fiction in Russia greatly expanded their foothold in the bookstores after 1991, and not only thanks to the influx of translated material. It can also be found at . You can also find all the previous entries here.
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